By Adela Toplean | December 21, 2007 - 8:26 pm - Posted in life 'n art
We lost the ability to lose. And we lost the ability to cope with a loser. A loser inhibits us; and irritates us. He’s a contre-jour photo, a contre-vie device, something that keeps us from breathing the fresh air of our ongoing projects, something that exudes the fetid smell of death and reminds us vaguely of our own unhygienic ways of following our goals. We’re taught to think positively. To be optimistic. To genuinely believe that things will go our way, and if they won’t, to genuinely destroy those that seem to stand in our way. Losing is not shameful, losing is dying. Losing is showing bad Google results and bad media, losing is having bad breath and bad credit history, losing is entering an abrupt process of social necrosis. We’re born with a fatal, annihilating sense of competition. That’s one of the reasons why we, the moderns, are in very bad terms with Alterity. If there’s a winner, there’s a loser. And if there’s a wish, there’s a Freud. And so one of his patients said to his wife: “If one of us is gonna die before the other, I’m gonna move to Paris”.
Joyeux Noël to all of you, beautiful losers!

PS:…and take some Roberta Flack in your iPod while wandering through Galeries Lafayette…

By Adela Toplean | December 17, 2007 - 11:51 am - Posted in life 'n art

Old blog, new face. Old enemies, new teeth. Old friends, new hearts. Old sorrows, new Christmas.
Let the snow fall on your old and your new, and see them turning into a white weird-shaped still thing called everything but you.

PS: Leonard Cohen today. In print, with The Book of Longing, and in mp3, with Death Of A Ladies’ Man. Try him. For my sake.

By Adela Toplean | December 13, 2007 - 7:49 am - Posted in life 'n art
Being the puddle’s daughter and only feeling close to those things that tend to linger, no wonder I have a secret weakness for perpetual motion. And for those people having a sense of disorder.
In other words, I secretly love big cities. If you’ll ever hear me saying otherwise, you should know I will be lying. I love the way people walk on the streets and queue for cash or food, I love how they proceed to mutual ignoring, I love ladies’ defensive way of carrying their bags and oh those gentlemen in their crumpled suits talking on the phone and eating their mayonnaise sandwiches at the same time, and those bunches of teenagers hanging around during school time, those beggars eating icecream and popcorn, those hurried compulsive women walking into and getting out of every store within 3 minutes; mingling among this crowd see those fast ‘n slim pizza guys on their bikes looking like depressive Supermen, and see the mail men in their worn-out suits lingering around with their takeaway coffee, stiff doormen, thick policemen, husky newspaper boys, sleepy bodyguards, emphatic TV crews, chubby schoolgirls giggling sobbing pushing, LV-logoed infatuated middle-aged nymphs.
A big city reaches its ultimate limits each day during the rush hours and each time you think it’s irreversible. You think that car parks, clubs, subways, phone boxes and malls are going to burst into flames, tears, ketchup, gasoline and Christmas ornaments and everyone would have to run away and throw themselves into the sea.
But obviously, the urban living has nine lives and ears stuffed with headphones. It can manage up to 5 years of queuing in traffic.

PS: Have you ever tried Dusty Springfield? She has one of the very few feminine voices that I could listen to all day long. So emotional, so sensual, so heavy. With “Anyone Who Had a Heart”, “You Don’t Own Me”,”Yesterday When I Was Young”, “In Private”, and, of course, the splendid “The Look of Love” I have good reason to rely on her all through the coming weekend.

By Adela Toplean | December 10, 2007 - 8:31 am - Posted in life 'n art
Some things shouldn’t be taken too seriously; these things are: progress, people’s names, psychoanalysis, mascara on eyelashes, social democracy, gardening, women’s naivety, men’s pride, bras, blogs, success, and the iPod Touch. The whole rest of the things found in this world require your constant and acute attention, skepticism, love and hate.

PS: New Monday, new canvas: “Thinking of All Those Forbidden Cities”.
Click it.

PS2: The silliest song could leave a world of wised-up spoken words behind. A beautiful song could tell a mountain “go, throw yourself into the sea”, and it will be done. This is Leonard Cohen’s “Alexandra Leaving”.

By Adela Toplean | December 5, 2007 - 8:48 pm - Posted in life 'n art
Someone I know asked her guests: “so you’re 8, right?”. And she cooked 8 meatballs. They were brought at the table together with 8 slices of bread. A while later, she asked once again: “so I see you’re 8…”. And she baked 8 pieces of cake. Later on she looked at us and said: “8 people, that must mean 8 cups of coffee…If someone’s not willing to have it, tell me now while you can.”

So I see you’re two reading this text…

PS: Today, best in the iPod: Rosie Thomas and all her albums – lovely voice, steady message, classic harmonies, lots of heart. Today, best in my computer: Velvet Underground’s “All Tomorrow’s Parties” (demo version, album version and single version – worth having them all).

By Adela Toplean | December 3, 2007 - 11:39 am - Posted in life 'n art
There are many crucial things that are completely ignored these days. Among others, I would mention the kiss. No, nothing’s wrong with your eyes, and yes, you’ve read it alright: the kiss. It’s ignored, it’s forgotten, it’s held unimportant, irrelevant and boring. It never stands for itself. It’s like a highway, it’s like route 66 leading to hell or to heaven (or to some peripheral park nobody heard of).
A kiss can mean anything from nothing to a promise. But never a standalone system. That’s a pity because it holds a world in nuce; it’s a terrifying, enigmatic, serious matter that the whole mind or the whole body couldn’t comprise, for the whole mind and the whole body – which are tools made for sheer continuity – are left powerless when having to deal with queer contiguity. A kiss is not about knowing or feeling the otherness, but about having the intuition of the otherness in his or her most unknown substance. The kissers let out hints about their innermost essence while holding themselves off, a fluid back-and-forth between autonomy and succumbing, self-absorption and free-giving, denial and readiness. This is an essentially committed and highly insightful business when you’ll get to know the other’s words without hearing or understanding any, only by breathing them all. Kissing is when two souls initiate a mysteries-exchange.

PS: to me, a redone canvas is a new canvas; the message changes, the technique becomes more definite. I cease to consider its previous look as being more than a shapeless state of latency, something that, in time, works on my imagination, something that gets on my nerves and makes me wonder how many lives a painting can have? how many imperfect skins one can change before make it to the ball? Anyway, the above canvas is ready for the party, so to say. One wouldn’t agree, but that’s what artistic paradoxes are all about. Title: “Neither Dead, Nor Alive”. Click it.

PS2: I am totally caught into Plant’s and Krauss’s Raising Sand. Two words, in my opinion, could define it best: coherence and class. “Fortune Teller”, “Polly Come Home” and “Stick With Me Baby” are today’s favorites, they’re strong and fluid at the same time. This cover album will last forever. It’s essentially and genuinely music. That’s what professionals do.