Slowly, as we grow old, we fall into a state of self-indulgence that, ironically, allows us to become…someone else. That is, we become our parents. Their bodies wrapped in our clothes, their faces mirrored in our mirrors in the middle of the night when, suddenly unable to get back to sleep, we catch a glimpse of ourselves in a silent, faintly lighted bathroom.
When younger, we revolted against the parent in us. We wanted him, or her, out. We worked laboriously against every single sign of filiation, we were obsessed with the mistakes they’ve made, and we nullified every trace they left in our lifestyle. It was us or them. Cynically put, as young people, we had nothing in particular to do, than trying to be ourselves. Which is (to stay cynical), a really devouring job, something to be, rather sooner than later, given up.
As we grow old, we start hearing our parents’ thoughts making a point in our heads; and our parents’ laughter laughing with our mouths when someone makes a sweet old joke on TV. The obscure calling of the blood. First we ignore it, then we admit it, and finally, we take comfort in it.
We fall back into our parents’ roles with the fervid voluptuousness of an old primadonna still remembering the librettos that made her famous. We become no more than what we’ve been before we got used with being us. I wish this was no more than a pathetic play on words.
PS: I know I linked to this song before, but I can’t help it. It’s the recent Antony and the Johnsons at their best: “One Dove” from The Crying Light.
PS2: Curious and weak as you know me, I surrendered to Twitter. I am still reluctant in recommending it to non-nerds, but I have to say it looks a lot better from the inside than from the outside. Theoretically, it’s an efficient tool for spreading the word (140 words to be more precise); practically, if you’re not twittering wisely, you get a lot less.